Quote: William Blake

‘The tree which moves some to tears of joy is in the eyes of others only a green thing which stands in the way. Some see nature all ridicule and deformity, and by these I shall not regulate my proportions; and some scarce see nature at all. But to the eyes of the man of imagination, nature is imagination itself. As a man is, so he sees.’  William Blake – Letter to John Trusler

quote: Skye C Cleary

Existence is a process of spending ourselves, and sometimes requires leaving our former selves behind to create ourselves anew, thrusting forward into the future, disclosing our being into new realms. We do this by opening ourselves to, and playing with, possibilities.

essay in Aeon: Being and drunkeness: how to party like an existentialist

The Hill

I don’t know where else I’ll find a rustling wind 

Moving and reminding me of life.

Everywhere seems so still

But here the earth still shakes 

Shimmies and dances,

So of course soon it will be killed. 

Like everywhere else of natural value

Humans are like death machines

Sucking away the rustling wind.

My own despair on seeing behind the veil of reality

Of how we are here, but arbitrarily

And the universe traverses on

Its timelines untroubled by our small concerns

And by this I mean the birth and the death of humans

So with our brief and imperfect senses

How I feel we should live here but lightly

Is not shared. So they continue to seal the tomb 

Of the earth.

The small and temporary bliss I feel when I stand here on this hill

Is like the small and temporary bliss of living at all

Quote: Brian Dupont

When I first moved to New York it seemed as if the galleries were filled with clean paintings that must have required miles and miles of masking tape to produce, and as I was enthralled with my new (but very worn) surroundings, I couldn’t for the life of me understand why young artists weren’t mirroring the scuffed, scratched, and beaten surfaces around them. These surfaces spoke to a deep history and a different kind of beauty and it was only a matter of time before there was a shift back (or back to) a handmade art that embraced a patina of habitation and use.

Quote: Mairi McFadyen

Theoretical explanations quickly become removed from lived reality and from the infinitely rich encounters that cause us to want to think more deeply about our experience in the first place. In geopoetics, I found a way to reconcile – or perhaps reconnect, in a way that made sense to me – the rigour of cerebral, analytic work with the experience of being a body in the world. For me, this is what geopoetics was first about: seeking awareness and understanding both intellectually, by developing knowledge, and sensitively, bodily, intuitively using all our senses to become ‘attuned to the world.’ I visualise geopoetics as the rigorous pursuit of clarity of thought, chasing those flashes of insight, creativity and connection, but always grounded in my embodied, aesthetic experience of being-in-the-world.

from ‘Finding Radical Hope in Geopoetics’ published in Bella Caledonia