Quote: Scott Richardson-Read

The Cailleach is a primordial creation figure, our first ancestor. Her name is carved indelibly into our landscape. In our tales, she created the Western Isles, Loch Tay, Sliabh-na-Caillighe, and the Isle of Mull…. She is found at Beinna ‘Bhric in Lochaber; she keeps her cattle in a natural enclosure in Ardnamurchan in the Bathach na Caillich; she keeps sheep and goats in Buaile nan Drogh; she herds her deer and milks them in Glen Nevis; and her name is given to other breathtaking natural springs, lochs, and Munroes too numerous to mention. She creates the whirlpool of the Coire Bhreacain ( Corryvreckan, the Cauldron of the Plaid or Cauldron of the Speckled Seas) found between the islands of Jura and Mull because she is so massive no loch is big enough for her to wash her plaid in….The plaid eventually turns white, clean, and ready for winter. She created and shaped hills and Munros as she travelled across the country dropping stones from her apron….Beinn Naoimh (Ben Nevis, Holy Mountain) is one of her homes. Tales relate the snow encircling the Munro to the Cailleach’s petticoat and the long line of snow down her companion mountain to the beard of the Bodach. Her name, also given to spring storms today, demonstrates her abiding presence in our folk belief. We might have forgotten these stories, but the landscape does not forget.

Milldust and Dreaming Bread: Exploring Scottish Folk Belief and Folk Magic, Scott Richardson-Read, Cailleach’s Herbarium, 2025, p119

Quote: Gregory Amenoff

I think that artists have a responsibility to work as fiercely as the can in their studios in exchange for the privilege of making things that the world doesn’t necessarily ask for. I think that artists should be engaged in the world in ways outside of their artwork – politically, socially, not necessarily through their artwork, but just as citizens. I don’t much believe in the hermit artist, in other words. And I believe in some overall sense of, you know, generosity of spirit in the work that gets transmitted, hopefully to the audience. Those are my tenets.

Inside The Painter’s Studio, Joe Fig, Princeton Architectural Press, 2009

Quote: Tim Adams on Elizabeth Fraser

Fraser’s ecstatic vocals, which carried just a hint of her growing up in Grangemouth…were not only hair-raising, they also dwelt in unique soundscapes of her own devising. Her lyrics formed an invented language, words chosen for texture rather than meaning.

— Tim Adams on Elizabeth Fraser